{"id":19249,"date":"2026-08-22T08:00:06","date_gmt":"2026-08-22T08:00:06","guid":{"rendered":"https:\/\/www.operalibera.net\/wp\/?p=19249"},"modified":"2026-08-29T08:07:19","modified_gmt":"2026-08-29T08:07:19","slug":"recital-simon-orfila","status":"publish","type":"post","link":"https:\/\/www.operalibera.net\/wp\/2026\/08\/22\/recital-simon-orfila\/","title":{"rendered":"Recital Sim\u00f3n Orfila &#8211; Rossini Opera Festival 2026"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Tredici anni di assenza e non sentirli. Il basso minorchino, come desidera sottolineare lui stesso, torna al Rossini Opera Festival per <strong>Le Si\u00e8ge de Corinthe<\/strong> nei panni Hi\u00e9ros e per un recital indimenticabile.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un programma che lo vede impegnato in arie da camera italiane e spagnole, ma che soprattutto lo mette in risalto con le arie verdiane e rossiniane (il bis \u00e8 con Mustaf\u00e0), mostrando un&#8217;ampiezza di cavata davvero ricca  e risonante. Il suono ricco di armonici, l&#8217;eccellente controllo del fiato e il fraseggio espressivo, definiscono la pasta dell&#8217;artista.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lo accompagna uno straordinario <strong>Naoki Hayashi<\/strong>, che mostra una sensibilit\u00e0 musicale davvero toccante.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/www.operalibera.net\/wp\/wp-content\/uploads\/Recensioni\/Rof_2026\/Orfila1.jpg\" alt=\"Sim\u00f3n Orfila e Naoki Hayashi\" class=\"wp-image-19189\" srcset=\"https:\/\/www.operalibera.net\/wp\/wp-content\/uploads\/Recensioni\/Rof_2026\/Orfila1.jpg 800w, https:\/\/www.operalibera.net\/wp\/wp-content\/uploads\/Recensioni\/Rof_2026\/Orfila1-300x225.jpg 300w, https:\/\/www.operalibera.net\/wp\/wp-content\/uploads\/Recensioni\/Rof_2026\/Orfila1-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Sim\u00f3n Orfila e Naoki Hayashi<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CONCERTO DI BELCANTO<br>SIM\u00d3N ORFILA<br>Pianoforte NAOKI HAYASHI<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fernando Obradors<br>L\u2019oreneta<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frederic Mompou<br>Damunt de tu, nom\u00e9s les flors<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Josep Ribas<br>Ros\u00f3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Liszt<br>Le rossignol S. 250 N. 1 da Carlos Guastavino<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi<br>Macbeth<br>Scena \u00abStudia il passo, o mio figlio!\u00bb e Aria di Banco \u00abCome dal ciel precipita\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Don Carlo<br>Aria di Filippo II \u00abElla giammai m\u2019am\u00f2!\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Franz Liszt<br>La regata veneziana S. 424 da Gioachino Rossini<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Francesco Paolo Tosti<br>L\u2019ultima canzone<br>Vorrei morire<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gioachino Rossini<br>La Cenerentola<br>Aria di Alidoro \u00abL\u00e0 del ciel nell\u2019arcano profondo\u00bb<br>II barbiere di Siviglia<br>Aria di Basilio \u00abLa calunnia \u00e8 un venticello\u00bb<\/p>\n ","protected":false},"excerpt":{"rendered":"<p>Tredici anni di assenza e non sentirli. Il basso minorchino, come desidera sottolineare lui stesso, torna al Rossini Opera Festival<\/p>\n","protected":false},"author":6,"featured_media":19187,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[4],"tags":[403],"class_list":["post-19249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerti","tag-pesaro"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.5 - aioseo.com -->\n\t<meta name=\"description\" content=\"Tredici anni di assenza e non sentirli. Il basso minorchino, come desidera sottolineare lui stesso, torna al Rossini Opera Festival per Le Si\u00e8ge de Corinthe nei panni Hi\u00e9ros e per un recital indimenticabile. 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Un programma che lo vede impegnato in arie da camera italiane e spagnole, ma che soprattutto lo mette in risalto con le","twitter:image":"https:\/\/www.operalibera.net\/wp\/wp-content\/uploads\/Grafica-e-loghi\/cropped-Operalibera-370x90_viola.png"},"aioseo_meta_data":{"post_id":"19249","title":null,"description":null,"keywords":null,"keyphrases":{"focus":{"keyphrase":"orfila","score":0,"analysis":[]},"additional":[]},"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":"","og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"Article","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":"-1","robots_max_videopreview":"-1","robots_max_imagepreview":"large","priority":null,"frequency":"default","local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":{"faqs":[],"keyPoints":[],"schemas":[],"titles":[],"descriptions":[],"socialPosts":{"email":{"subject":"","preview":"","content":""},"linkedin":[],"twitter":[],"facebook":[],"instagram":[]}},"created":"2026-08-28 08:00:06","updated":"2026-08-29 08:07:19","seo_analyzer_scan_date":null,"focus_keyword":"orfila","additional_keywords":null,"truseo_locale":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.operalibera.net\/wp\/\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.operalibera.net\/wp\/category\/concerti\/\" title=\"Concerti\">Concerti<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tRecital Sim\u00f3n Orfila \u2013 Rossini Opera Festival 2026\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/www.operalibera.net\/wp\/"},{"label":"Concerti","link":"https:\/\/www.operalibera.net\/wp\/category\/concerti\/"},{"label":"Recital Sim\u00f3n Orfila &#8211; Rossini Opera Festival 2026","link":"https:\/\/www.operalibera.net\/wp\/2026\/08\/22\/recital-simon-orfila\/"}],"featured_image_src":"https:\/\/www.operalibera.net\/wp\/wp-content\/uploads\/Recensioni\/Rof_2026\/Orfila2-600x400.jpg","featured_image_src_square":"https:\/\/www.operalibera.net\/wp\/wp-content\/uploads\/Recensioni\/Rof_2026\/Orfila2-600x600.jpg","author_info":{"display_name":"William Fratti","author_link":"https:\/\/www.operalibera.net\/wp\/author\/wfratti\/"},"_links":{"self":[{"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/posts\/19249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/comments?post=19249"}],"version-history":[{"count":5,"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/posts\/19249\/revisions"}],"predecessor-version":[{"id":19260,"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/posts\/19249\/revisions\/19260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/media\/19187"}],"wp:attachment":[{"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/media?parent=19249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/categories?post=19249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.operalibera.net\/wp\/wp-json\/wp\/v2\/tags?post=19249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}